Wesonator Interview

George Shilling & RecordProduction visited The Wesonator at Dean Street Studios, London, to find out more about his escape from Belgium to the production Metropolis of London and get a little insight in to his recording and production techniques.

Thank you Mike Banks for the filming, editing and amazing photography. And thanks Debs Skeldon from Big Sound PR  and Lise Regan at Dean St. for making this happen.

Check out some more of the fab photos Mike Banks took.

PHOTO GALLERY OF WES MAEBE PICURES THAT MIKE TOOK AT DEAN STREET


Wesonator Snacks, Fresh From The Sonic Cuisine

Let's start with the big snack first. I've been keeping quiet about this since we started recording, dropping occasional studio pics from the session, but now, it's official. The record is out and the lovely Jen at Trinifold gave me my copy yesterday when the band took to the stage at Kew The Music.

It all started when Trish at RAK studios called me in to record. When I asked her what the project was, she told me it was Ali Campbell from UB40. Cool! It only got better from there on. Turns out it's Ali, Astro and Mickey back together again and we were going to record some of their hits in acoustic format. They guys were joined by Winston Delandro on guitars, Paul Slowly on percussion and the amazing Matt Hoy on BVs. 

We set up in my fave RAK studio 2 and went on to record the full album in 3 days! I got even more excited when I was asked back to mix the record. We decided to stay in studio 2 so I could mix on the wonderful API console everything had been recorded through and after two days the entire record was done and dusted.

Mastering was set to happen at Metropolis and I had a blast putting the finishing touches to this work with Hippy Baldwin.

UB40 are the most amazing guys to work with and Ali, wow, what a voice! All it took was a great vintage Neumann U47 and a 70's era API mic pre and wallop, there it was: UB40.

If you want to hear the band, up close and personal, give this one a spin. 

Just a quick shout out to a few extra people who made this one happen: Thanks Trish for trusting me with the boys. Scott, Mike and Dave at Advanced Audio Microphones for introducing me to your mics. The CM67se and CM49 are all over this one. They even feature on the front cover artwork! Dennis Weinreich for the loan of your AKG The Tube. Max for being thrown in at the deep end as my assistant :-) and finally, Ali, Astro, Mickey, Matt, Winston and Slowly for being the coolest cats ever.

In the mean time I ended up in the gorgeous chapel at Royal Holloway in Egham to record the film score for Fiona Howe's new film and I spent a wonderful three days at The Park Studios in Wembley recording an EP for the very talented Georgia Nevada.  Mixing for that session has started and we have a few more overdubs to do. I'll keep you posted on that project as it comes along.

As per usual we'll finish up this news update with some Sonic Cuisine gear updates.

There are some new hard and software units gracing the room: Meris 440 mic pre, Drawmer 1960, Focusrite 3, Solo Dallas The Schaffer Replica (Thanks Goose & Fil), Moog MF-Trem, Roland Dimension D, A Cranesong Insigna, and a pair of Dynaudio BM5A MKIII on IsoAcoustics stands. Software newcomers: UAD Shadow Hills Mastering Compressor, UAD Dangerous BAX EQ, UAD API Vision Channel Strip, Cranesong Phoenix & Peacock, Dave Hill Designs RA II. 

They're all looking forward to working on your new material.

See you on the other side of the glass.

 

2015 Rolled In

Hey all,

Before January is out, here's a quick Happy New Year and may 2015 bring us lots of great music, wonderful talent and killer sounds.

There are a couple of things to update you on. I just got back from Namm 2015 where I did a nice little H.O.T. Zone talk to live and studio engineers and venue owners on how to get the most out of your system upgrade and on general business practices to ensure repeat customers.

In the mean time I'm excited to let you know that The Sonic Cuisine is now Mastered For iTunes certified, so let the war on over-compression and silly loudness continue. And I've joined the fold at the Music Producers Guild.

There are several projects on the go, on which I'll update you as they come along.

In the mean time, here's a little gear update:

Dynaudio BM6, Tannoy 802, 502 & 402. We've added a wonderful Empirical Labs Distressor EL8-X and we're test driving a sensational Cranesong Insigna Tube 500-series EQ. In addition to the Advanced Audio Cm67se, we've added the  CM251 to the arsenal. It sounds amazing and has been working over time on the Mo Michael recordings at RAK.

Also, a great book on capturing great sound at the source, the antidote to "let's fix it in the mix" attitude, Ian Corbett's Mic It! is now available. I've had the pleasure and honour of contributing to this super read. Check it out.

Have fun out there, be creative and see you on the other side of the glass.